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- <text id=94TT0322>
- <title>
- Mar. 21, 1994: The Arts & Media:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Mar. 21, 1994 Hard Times For Hillary
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 69
- Cinema
- In The Name Of The Truth
- </hdr>
- <body>
- <p> In Hollywood, as in war, truth is often the first casualty.
- Stories told onscreen demand heroes, villains and an intelligible
- plot line. Real life, on the other hand, tends to get messy--the lines between good and bad often cross. Two years ago,
- director Oliver Stone was excoriated in the press for playing
- fast and loose with certain facts in JFK. Jim Sheridan's In
- the Name of the Father has largely escaped such criticism in
- the U.S., but only because Americans are unfamiliar with the
- story it is based on. In Britain, where people have lived with
- the case of the Guildford Four for 20 years, the film's reception
- has been considerably stormier.
- </p>
- <p> The movie tells the tale of Gerry Conlon, who along with three
- other youths was falsely accused of killing five people in a
- 1974 I.R.A. bombing of two pubs in Guildford, England. The four--three men and a woman--served 14 years in prison before
- their convictions were overturned. Seven friends and relatives
- of Conlon's (the Maguire Seven), including his father, also
- served many years on trumped-up charges of having made the bombs.
- </p>
- <p> Though Sheridan never set out to make a documentary, he has
- been attacked for needlessly distorting the facts of the case.
- The film, for instance, shows the Maguire Seven on trial with
- the Guildford Four, though the cases were tried separately.
- In some of its most affecting scenes, it shows Conlon, played
- by Daniel Day-Lewis, sharing a jail cell with his father, though
- the two were often not even in the same prison. A grand and
- heroic part is carved for actress Emma Thompson, playing Conlon's
- solicitor, Gareth Peirce, but in reality Peirce was a minor
- figure and another attorney, Alastair Logan, deserves most of
- the credit for freeing the Four. A pivotal scene in which Peirce
- smuggles a crucial piece of suppressed evidence from a police
- file was fabricated for the film; it was a police investigation
- that uncovered the buried evidence of Conlon's innocence.
- </p>
- <p> Sheridan insists that he was seeking an "emotional honesty"
- and that the real subject of his film was a son's changing relationship
- with his father. But if that was his intended subject, say some
- close to the case, the director should have used someone else's
- story. "The truth is that Gerry Conlon had very little time
- for his father," says Sean Smyth, an uncle. "It's a good film,
- well acted and everything," concedes Conlon's aunt, Anne Maguire.
- "But I think if they'd put more of the true facts in, it would
- have been a much more powerful film."
- </p>
- <p> By Elizabeth L. Bland. Reported by Michael Brunton/London
- </p>
-
- </body>
- </article>
- </text>
-
-